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THE KING'S FIDDLERS --- back


Having worked with these scores and kids for many years I have found it helpful to introduce each piece in certain ways that help to understand the background of the music and its setting as well as inspire the imagination and enthusiasm of the kids. On this page are some suggestions that you may find helpful starting points. The pictures below can help to set the mood of this piece. - Keith Sharp 
About the ELIZABETHAN series:
The Elizabethan age is celebrated for its literary and dramatic culture, its music and chivalry. The wealthy of the land would entertain each other with great banquets of rich foods, wine, music and dancing. When Queen Elizabeth was not busy with matters of state, she too would enjoy some of  these pleasures. The Elizabethans loved music, and Elizabeth was no exception. She was a skilled musician and played the virginals and the lute.  She enjoyed musical entertainments, encouraged musicians and composers, and was especially fond of dancing. 
About THE KING'S FIDDLERS:
"Henry VIII's (Elizabeth's father) large collection of instruments was looked after by the Keeper of the King's Instruments. At his death, Henry's collection included 5 cornemuses, or drones (bagpipes), 19 viols, 20 regals, 14 virginals, 2 clavichords, 26 lutes, 65 flutes , 7 cisterns, 15 shawms, 10 sackbuts and 154 recorders. Some instruments were adorned with precious metals and gems, and most had their own cases of leather or velvet." - extract from Henry VIII - The King and His Court by Alison Weir
Regal in style, this piece effectively makes use of staccato 1/4 notes in a baroque texture. 
The music will appeal to young and old alike and provides for a variety of standards in the primary school ensemble. A good choice for the opening of a concert when playing in a formal situation. 
Officials and special guests may nobly enter as your ensemble performs ' The King's Fiddlers.'
Useful points to remember:
· Playing range between 3rd year and 5th year of learning. Able 2nd years would manage the Violin 3 part
· All sections except Cello/Bass harmony have main theme. 1st, 2nd and Cello/Bass Melody have 2nd theme.  
· Extension passage for Violin 1 towards end.
· Study in Staccato and Detache quavers.
· Energetic, driving piece that sounds more difficult than it actually is to play!
Your suggestions are important and welcome!
If you have some additional suggestions that can help in the classroom, please share them with us. We will add your comments to this page to make it a richer resource for everybody. Simply send an e-mail (suggestions@musichouse.com.au).